This visit was also incredible, as the landscape was constructed in a way that relied upon not only movements of flora and topography, but also small temples, monuments, and statues in a fashion that Branitz had begun to illustrate, but not to this extent. I found the initiation passage interesting and by its culmination began to understand what to expect. I was also particularly intrigued by the kind of stone used throughout the landscape, obviously some sort of igneous rock, a basalt or pumice, but it had an incredibly open texture and was reddish as well as being dark brown or black, as igneous rocks tend to be. The house, the country house, as an example to others of what life dipped in enlightened Arcadia might look like was fascinating as well, with its incredible density of artwork, sculpture, and its unique layout.